Thursday, August 9, 2012

Demoted policeman sues over Sheen escort in DC

WASHINGTON (AP) ? A D.C. police captain who was demoted after actor Charlie Sheen received a high-speed police escort to a performance has filed a whistleblower lawsuit against the department.

Hilton Burton alleges in his suit that he was punished for saying that police escorts for celebrities were a common practice. That statement contradicted Police Chief Cathy Lanier, who said the escort broke department protocol.

Burton's lawyer says the suit seeks at least $6 million.

Burton was demoted from commander to captain about a month after testifying before the D.C. Council. He was also transferred from his division.

Lanier has said the demotion wasn't connected to the escort or to Burton's testimony. She didn't immediately respond to a request for comment.

Source: http://news.yahoo.com/demoted-policeman-sues-over-sheen-escort-dc-140149035.html

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Wednesday, August 8, 2012

Composer Marvin Hamlisch dies at 68 in Los Angeles

Marvin Hamlisch, who composed or arranged the scores for dozens of movies including "The Sting" and the Broadway smash "A Chorus Line," has died in Los Angeles. He was 68.

Family spokesman Jason Lee said Hamlisch collapsed and died Monday after a brief illness. Other details were not released.

Hamlisch's career included composing, conducting and arranging music from Broadway to Hollywood, from symphonies to R&B hits. He won every major award in his career, including three Academy Awards, four Emmys, four Grammys, a Tony and three Golden Globes.

His music colored some of Hollywood and Broadway's most important works.

Hamlisch composed more than 40 film scores, including "Sophie's Choice," ''Ordinary People," ''The Way We Were" and "Take the Money and Run." He won his third Oscar for his adaptation of Scott Joplin's music for "The Sting." His latest work came for Steven Soderbergh's "The Informant!"

On Broadway, Hamlisch received both a Tony and the Pulitzer Prize in 1975 for the long-running favorite "A Chorus Line" and wrote the music for "The Goodbye Girl" and "Sweet Smell of Success." He was scheduled to fly to Nashville, Tenn., this week to see a production of his musical "The Nutty Professor," according to his publicist.

The Julliard School of Music graduate even reached into the pop world, writing the No. 1 R&B hit "Break It to Me Gently" with Carole Bayer Sager for Aretha Franklin. He won the 1974 Grammys for best new artist and song of the year, "The Way We Were," performed by Barbra Streisand.

That ballad exemplified Hamlisch's old-fashioned appeal ? it was a big, sentimental movie ballad that brought huge success in the rock era. He was extremely versatile, able to write for stage and screen, for soundtracks ranging from Woody Allen comedies to a somber drama like "Ordinary People."

He was perhaps even better known for his work adapting Joplin on "The Sting." In the mid-'70s, it seemed everybody with a piano had the sheet music to "The Entertainer," the movie's theme song. To this day, it's blasted by ice cream trucks.

Hamlisch's place in popular culture reached beyond his music. Known for his nerdy look, complete with thick eyeglasses, that image was sealed on NBC's "Saturday Night Live" during Gilda Radner's "Nerd" sketches. Radner, playing Lisa Loopner, would swoon over Hamlisch.

Hamlisch was principal pops conductor for symphony orchestras in Pittsburgh, Milwaukee, Dallas, Pasadena, Seattle and San Diego at the time of his death. He was to be announced to the same position with the Philadelphia Orchestra and also was due to lead the New York Philharmonic during its upcoming New Year's Eve concert.

He was working on a new musical, "Gotta Dance," at the time of his death and was scheduled to write the score for a new film on Liberace, "Behind the Candelabra."

He leaves behind a legacy in film and music that transcended notes on the page. As illustrative as the scenes playing out in front of the music, his scores helped define some of Hollywood's most iconic works.

He is survived by his wife of 25 years, Terre.

___

AP Writer Jeff Wilson contributed from Los Angeles.

Source: http://news.yahoo.com/composer-marvin-hamlisch-dies-68-los-angeles-131751829.html

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The Art of Delegation | IT Staffing Atlanta | IT Business Consulting ...

Learning how to delegate is one of the most important tools a leaders can have. Realizing that you cannot do everything alone and that another set of eyes might be more helpful can be a game changer. In this blog, we will look at two stories of how delegation has worked for Chloe Drew and Russell Sy.

Case Study #1: Hire people you can delegate to
Chloe Drew wasn?t always good at delegation. Having worked on political campaigns where resources were hard to come by, her instinct was always to do everything herself. But now, as the executive director of a growing non-profit organization, she?s come to appreciate how much she must rely on others to get work done. ?I can?t be integral to everything we do. I need to be replaceable,? she says.

When hiring, Chloe specifically looks for people who are ready to take ownership from their first day on the job. ?I?m trying to create a team of mini-entrepreneurs,? she says. Chloe recently asked a new hire, who has deep experience with learning and development programs in financial services, to run her organization?s leadership institute. ?She?s responsible for building it as if it were a separate business,? Chloe explains. ?I still want to be in the loop because I have to answer to the board on the project, but I trust her to run with it.? Although delegation didn?t come to Chloe naturally, she has learned to let go. ?It?s better for the health of the organization if I don?t swoop in and try to prevent mistakes,? she says. That?s the only way she can get what she needs from her team members, including her newest employee. ?I hired her for her skills and expertise. And that increases my chances of delegating with ease,? she explains.

Case Study #2: Make it a win-win-win
Russell Sy, a managing director at a company that develops and manages business parks in the United Arab Emirates, learned how to delegate effectively from watching others. ?I am fortunate to have a top-notch direct supervisor,? he says. ?Constantly observing her delegate, motivate, and manage for results has taught me a lot.? But, like most managers, Russell has had both positive and negative experiences with delegation.

In a previous role, he was assigned to lead a newly formed division. The CEO had combined five separate functions and asked Russell to ensure the integration went smoothly and saved the company money. Right off, he met with the five department heads to brainstorm how they would meet the CEO?s mandate. He delegated several projects to each leader. Within a few weeks, he saw that one of the departments was falling behind and quickly assessed that the department head was the obstacle. The leader was unhappy with the integration and thought it diminished his power, so he refused to cooperate. Eventually, Russell had to replace him. ?I learned from this failure that it is important to delegate to someone who is genuinely on board,? he says.

Now Russell looks for delegation opportunities that will benefit him, the direct report, and the organization. For example, when his company?s parent group recently asked for a review of the business, he asked a new hire to prepare the information packet because he felt it was a great way to orient the employee. Also, ?having a fresh pair of eyes look at our business uncovered a few blind spots,? he says. Russell realizes trusting a newcomer with such an important task was perhaps a gamble. But he felt the risk could be mitigated by ?instructions, open lines of communication for questions and comments, and regular checkpoints.?

(HT: HBR)

Source: http://news.idr-inc.com/2012/08/the-art-of-delegation/

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Tuesday, August 7, 2012

Toshiba Satellite U845W review: an Ultrabook with a screen size all its own

DNP  Toshiba Satellite U845W review an Ultrabook with a screen size all its own

Ultrabooks now come in countless shapes and sizes, and we've seen display quality vary just as much. Though 1,366 x 768 may still be the norm, 1,600 x 900 panels aren't unheard of in this ultraportable category. But what about a screen that bucks the 16:9 aspect ratio for an extra-wide 21:9? Toshiba is mixing things up with its new premium Satellite U845W Ultrabook ($1,000 and up), the first laptop to feature that odd aspect ratio.

Styled in the fashion of movie theater screens, the U845W's 14.4-inch, 1,792 x 768 panel adds more horizontal pixels -- ostensibly to enhance the movie-watching experience. In theory, too, that setup should allow for more room to multitask with windows side by side. So how good of an idea is a 21:9 screen in practice? Join us as we put it to the test.

Continue reading Toshiba Satellite U845W review: an Ultrabook with a screen size all its own

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Source: http://feeds.engadget.com/~r/weblogsinc/engadget/~3/n0i9cRSNmZk/

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Video: Savannah gets inside look at Athlete Village

Source: http://www.msnbc.msn.com/id/46952788/vp/48546765#48546765

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Monday, August 6, 2012

Consumer agency probes mortgage insurance | VA Loans Guidelines

Consumer agency probes mortgage insurance Associated Press Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed. Updated 08:30?a.m., Friday, August 3, 2012 WASHINGTON (AP) ? The government?s consumer finance watchdog is investigating mortgage insurance deals between banks and big insurers like American International ?

View full post on New Mortgage Reviews

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Source: http://valoansguidelines.org/2012/08/05/consumer-agency-probes-mortgage-insurance/

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5a.m. Flash 060812 ? The New Writer ? Morgen Bailey's Writing Blog

Every now and then at 5a.m. (probably posted by my clone) I will be bringing you a newsflash, update on what I?m doing, invited guest piece, or whatever takes my fancy, and today is about The New Writer magazine and their subscriber newsletter. They provide so much information in the newsletter that replicating their latest edition (which I had permission from the lovely Merric to do so) would have run to 12 Microsoft Word pages, hardly a ?flash?, so I?ve done a bit of a synopsis here?

  • The newsletter starts off with news and views around the internet and from useful sites to events around the UK.
  • It?s then packed with competition information (some of which I hadn?t got already so have added, accredited of course, to my blog?s competitions page), submission opportunities and much more.

The New Writer is an incredibly active magazine beyond the page and their own opportunities include?

  • TNW?S editor Suzanne Ruthven is also Commissioning Editor for Compass Books at John Hunt Publishing. Compass Books for new writers focuses on practical and informative ?how-to? books. Written by experienced authors who also have extensive experience of tutoring at the most popular creative writing workshops, the books offer an insight into the more specialised niches of the publishing game.? All submissions for Compass Books should come initially in the form of a biography, synopsis and full chapter breakdown to suzanneruthven333@gmail.com. Writers? guidelines can be found at http://www.compass-books.net/submissions.html&i=11. Compass Books is also on Facebook.
  • The New Writer Magazine Online Writing Course: Plotting & Coursing The Novel. This is an ideal course for those who have just started a novel, and for those who have got ?bogged down? with an existing one. Discover how to kick-start the narrative with Suzanne Ruthven, editor of The New Writer who has tutored this course at Horncastle College (Lincs) and the University of Wales? Writers? Summer School.? Participants should have completed at least the first 2-3 chapters, and be able to submit a full synopsis of the novel at the time of registration. The course includes: Lesson One Who?s going to read my novel?, Lesson Two: Plot and Theme, Lesson Three: Characterisation, Lesson Four: Pace and narrative style, Lesson Five: Bones and Padding, Lesson Six: Publishers and Agents. The fee is ?20 per lesson paid in advance via PayPal. This ensures that the writer pays only for the tuition received and can withdraw from the course at any time. For more information send an email to suzanneruthven333@gmail.com marked Subject: online writing course.
  • The New Writer?s website (http://www.thenewwriter.com) explains, ?It?s different and it?s aimed at all writers: the short story writer, the novelist, the poet, feature writer, anyone with a serious intent to develop their writing to meet the expectations of today?s editors. Launched in September 1996, in every issue you?ll find original short stories, a showcase for new poetry, articles, book reviews, market information, news and readers? views.?
  • Apart from being incredibly supportive of writers on the page, and via email, The New Writer can also be found on Facebook?(where you can ?like? them? and I?m sure they?d love it if you wrote something on their wall) and Twitter?(where you can follow them and again I?m sure interaction would be appreciated).
  • Subscriptions (see http://www.thenewwriter.com/subscribe.htm) are just ?27 for 18 months? worth of magazines or ?49 for three years. I?ve been a subscriber for at least double that and it feels like it has ?grown? as I have. :)
  • They welcome (from subscribers) articles, features, shorts (including a 300-word max micro fiction? regular readers of this blog will know how much I love my flash fiction and I keep meaning to submit!), news items, poetry and even a ?Writer?s Rant? ? see their guidelines page for more details.
  • Speaking of shorts? The New Writer recommends Catherine Smith?s The Biting Point from Speechbubble Books.
  • TNW Index: You can now check on the contents of the first 100+ issues of The New Writer.? The new improved index is now available as an attachment, simply email admin@thenewwriter.com and type Index in subject.? The TNW index will give you details of every feature, fiction and poem that has appeared in the magazine since the first issue in 1996 in alphabetical order by author.? In addition, TNW back issues are available (not many left of the first dozen or so ? but there are some) at ?1.50 each (to subscribers only) plus p+p (see the magazine).? So if you see something you fancy it couldn?t be easier to read it. If you live in the UK and request the Index and do decide to order some back issues, please send a cheque payable to The New Writer if it comes to ?5 or more, otherwise please send postage stamps to The New Writer, PO Box 60, Cranbrook, TN17 2ZR.? If you live overseas please email (admin@thenewwriter.com) for a quote.
  • They also have a Writer?s Library with a great selection of books.
  • Almost finally, classified ads printed in The New Writer magazine are charged at the following rates for all ads up to 50 words:? ?10 as a one-off;? ?15 in two consecutive issues;? ?20 in three consecutive issues.? Further placings, longer ads and small display ads by negotiation. Again an email will do the trick.
  • Oh and they even kindly mentioned me (which I hadn?t spotted until I started compiling this ?flash?)? :) ?Amazing list of 440+ interviews with writers, poets, agents, publishers etc by Morgen Bailey can be found here: http://morgenbailey.wordpress.com/blog-interviews? which just goes to show how supportive they are of writers? ?new? or otherwise. :)

***

You can sign up to receive these blog posts daily or weekly so you don?t miss anything? and follow me on?Twitter?where each new posting is automatically announced. You can also read / download my eBooks and free eShorts at?Smashwords,?Sony Reader Store,?Barnes & Noble,?iTunes Bookstore,?Kobo?and?Amazon, with more to follow. I have a new?forum, friend me on?Facebook, like me on?Facebook, connect with me on?LinkedIn, find me on?Tumblr, complete my website?s?Contact me?page?or plain and simple,?email me.??I also now have a new?blog creation service?especially for, but not limited to, writers.

Unfortunately, as I post an interview a day (amongst other things) I can?t review books but I have a feature called ?Short Story Saturdays? where I review stories of up to 2,500 words. Alternatively if you have a short story or self-contained novel extract / short chapter (ideally up to 1000 words) that you?d like critiqued and don?t mind me reading it / talking about and critiquing it (I send you the transcription afterwards so you can use the comments or ignore them) :) ?on my ?Bailey?s Writing Tips??podcast,?then do?email me. They are fortnightly episodes, usually released on Sundays, interweaving the recordings between the red pen sessions with the hints & tips episodes. I am now also looking for flash fiction (<1000 words) for?Flash Fiction Fridays?and poetry for?Post-weekend?Poetry.

?

Writing group lead (since March 2008) of critique and writing workshops, 'Bailey's Writing Tips' podcaster since August 2010 and WordPress blogger since late March 2011... oh and sometimes in between I write. :)

Source: http://morgenbailey.wordpress.com/2012/08/06/5a-m-flash-060812-the-new-writer/

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